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When Faith Meets Vision – Casting Call

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When Faith Meets Vision

Stage Play • March 2026

Trailer
Overview
Dates
Director/Writer
FAQ
Contact


Audition Now




Trailer
Overview
Dates
Director/Writer
FAQ
Contact


Audition Now (Casting Call)

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Casting Call • When Faith Meets Vision
Hosted at ADMFA Private Studio

Audition Information

We are casting for the live stage production When Faith Meets Vision (March production — dates TBA).
Audition in person during live casting, or submit a self-tape if you can’t attend.

Live Casting Dates
Submit Self-Tape

Option A: Live Casting (In Person)

Come prepared to slate, read, and take simple direction. Sides may be provided on-site.

Tuesday, January 13, 20266:00 PM – 8:00 PM
Thursday, January 15, 20265:00 PM – 7:00 PM
Location: ADMFA Private Studio
Address can be listed here if public, or shared upon RSVP/confirmation.
Arrive 10–15 minutes early for check-in. Dress camera-ready (solid colors, minimal logos).

Bring This

  • 1Headshot & resume (printed or digital).
  • 2Prepared piece (monologue or provided sides).
  • 3Professional mindset — ready to adjust on direction.

What We’re Looking For

  • ARange + presence — believable emotion and control.
  • BStrong listening — clean reactions and timing.
  • CDiction — ability to deliver lines clearly on stage.

Option B: Self-Tape Submission (Email)

If you can’t make the live casting dates, submit a self-tape via email using the exact subject line below.

Send to: plotonitllc@gmail.com
Subject line required:
AUDITION TAPE

Include in Your Email

  • 1Full name, phone number, and city.
  • 2Role(s) you’re interested in (top 1–3).
  • 3Video link (Google Drive / YouTube Unlisted) or attached file if small.
  • 4Availability notes (any conflicts during rehearsals).


Email Your Self-Tape

Read FAQ
Tip: Start your video with a slate (name, city, role). Keep sound clear and lighting bright.

Audition Materials (Optional)

If you have a downloadable audition packet or sides, link it here. If not, you can leave this section as “Coming Soon.”

Download Audition Sides

More About the Play

Director / Writer

Jade Williams, M.A. is the creator behind When Faith Meets Vision;
a stage production that explores the tension between belief, preparation, culture, and purpose.

With a background in communications, storytelling, and production leadership, Jade approaches theater as both an artistic and transformational medium. Her work centers on emotionally honest narratives that reflect real conversations happening in homes, marriages, and communities—particularly where faith, ambition, and identity intersect.

Jade’s directing style emphasizes restraint, clarity, and truth over spectacle. She is intentional about creating work that feels grounded rather than performative, allowing silence, pacing, and subtext to carry as much weight as dialogue. Her writing is influenced by lived experience, cultural nuance, and a deep respect for faith traditions without reducing them to clichés.

When Faith Meets Vision was written to give voice to the unspoken tension many people experience when obedience and preparation appear to conflict. Rather than offering easy answers, the production invites audiences to sit with complexity, listen deeply, and reflect honestly.

As a director, Jade is committed to cultivating a professional, respectful rehearsal environment where both seasoned performers and beginners can grow. She believes excellence is built through discipline, emotional intelligence, and collaboration—not intimidation.
This production marks an important step in Jade’s continued work creating stage experiences that challenge, affirm, and resonate long after the curtain closes.

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Audition Submission & Script Packet

Please read all instructions carefully before submitting. This helps us review auditions fairly and efficiently.

Audition Submission Instructions
Required

Email submissions to: PLOTONITLLC@GMAIL.COM

Subject Line (required):

AUDITION TAPE – [ROLE NAME]

Submit ONE of the following:

  • 🎥 Video audition (preferred) — 3–5 minutes
  • 🎭 Attend live casting (details provided separately)

Include in the email body:

  • Full name
  • Role auditioning for
  • Acting experience (or write “Beginner”)
  • Confirmation of rehearsal availability
  • Phone number

ROLE 1 — WIFE
Lead

Tone: Visionary, emotionally layered, grounded with flashes of humor

Focus: Conflict between faith, preparation, and emotional exhaustion

The Wife is the emotional heart of the story. She is faithful, disciplined, and prepared,
yet quietly worn down by carrying vision without shared momentum.
This role demands restraint, nuance, and emotional intelligence.

Her frustration is not rebellion — it is fatigue.
Humor appears briefly as a coping mechanism, not deflection.
Vulnerability should feel earned, not performative.

Audition Side

(She is seated at a table. A vision board is in front of her. Calm, but holding a lot.)

I’m not saying God doesn’t move without me.
I’m saying… He gave me hands for a reason.
(Beat.)

I pray. I fast. I believe.
But after all that—what am I supposed to do?
Sit still forever and call it faith?
(She laughs once, bitter.)

I’m not rushing God.
I’m just tired of acting like preparation is disobedience.
(Softens.)

You know what hurts the most?
It’s not that you don’t agree with me.
It’s that you look at me like I’m doing something wrong…
like I’m not virtuous because I move.
(Pause.)

I don’t want success without God.
I want God to walk with us into what’s next.
(Quiet.)

But I can’t keep dreaming alone.

ROLE 2 — HUSBAND
Lead

Tone: Calm authority, faith-rooted, culturally grounded

Focus: God’s timing, discipline, discomfort with naming vision

The Husband embodies disciplined faith. He is not opposed to progress—he is opposed
to premature exposure. His belief system values order, timing, and restraint.
Authority comes from certainty, not force.

This role requires emotional control and cultural authenticity.
Yoruba and Pidgin delivery must sound natural, unforced, and lived-in.

IMPORTANT: Clear and accurate pronunciation of Yoruba is required.

Audition Side

(Standing. Controlled. Measured.)

You think I don’t want progress?
No.
I want progress that does not insult God.
(Beat.)

In my culture, we don’t shout vision before it’s ready.
We wait. We watch. We pray.
(Firm.)

Because no be everything wey you see, you go announce am.
(Pause.)

You say write the vision.
I say… if God never release am, wetin we dey write?
(Softens.)

I am not afraid of success.
I am afraid of running ahead of grace.

(Yoruba pronunciation test – MUST BE CLEAR)
Ọlọ́run má jẹ́ kí n ṣiṣẹ́ níta ìpinnu Rẹ̀.
(God, do not let me work outside Your will.)

(Beat.)

Faith is not noise.
Faith is order.

ROLE 3 — COUNSELOR / PASTOR
Supporting

Tone: Calm, wise, neutral, non-preachy

Focus: Translation, not judgment

The Counselor is a stabilizing presence. This character does not argue,
correct, or persuade aggressively. Instead, they translate conflict into clarity.
Wisdom is conveyed through listening first, then speaking with intention.

The delivery should feel grounded and measured, never theatrical or sermon-like.
Authority comes from stillness and discernment.

Audition Side

(Seated. Listening first. Then speaks.)

You are not fighting each other.
(Pause.)

You are fighting two interpretations of obedience.
(Gentle.)

One of you believes faith looks like movement.
The other believes faith looks like restraint.
Neither of you is wrong.
(Beat.)

But alignment does not happen by accident.
It happens when you stop defending your position long enough to hear God…
and each other.
(Quiet authority.)

Confusion is not a sign of failure.
It is often a sign that something is about to shift.

ROLE 4 — FEMALE FRIEND
Supporting

Tone: Supportive, modern, quick, funny but sincere

Focus: Protection, independence, concern

The Female Friend is observant, protective, and emotionally intelligent.
She speaks from lived experience and love, not rebellion.
Humor should feel natural and conversational, never exaggerated.

This character notices what others avoid saying and gives voice to concern
without tearing anyone down.

Audition Side

I’m not saying leave him.
I’m just saying… how long are you supposed to wait?
(Laughs.)

Because last time I checked, faith without action still needs rent money.
(Beat.)

I love God. I do.
But I also love peace.
And right now? You look tired.
(Softens.)

I just don’t want you shrinking to make someone else comfortable.

ROLE 5 — MALE FRIEND
Supporting

Tone: Traditional, confident, culturally rooted

Focus: Patience, leadership, masculine identity

The Male Friend represents tradition, discipline, and order.
He is not aggressive or dismissive — he is grounded.
This character believes leadership begins with restraint, not reaction.

His delivery should feel calm and assured, never rushed.
Confidence comes from certainty, not volume.

Audition Side

A man does not announce vision until heaven confirms it.
(Beat.)

In our culture, we don’t chase things.
We prepare ourselves so things meet us ready.
(Firm.)

If God say wait, you wait.
No be everything wey dey urgent, dey important.
(Small laugh.)

Marriage is not competition.
It is order.

ROLE 6 — NARRATOR Narration

Tone: Grounded, reflective, trustworthy

The Narrator frames time and emotional transitions.
This role requires clarity, pacing, and control.

This was not the beginning of the argument.
It was the moment they finally named it.

(pause)

Faith had always been present.
But alignment had been missing.

(Beat.)

And when alignment is missing…
even love starts to sound like opposition.

IMPORTANT NOTES: Do not overact. Comedy comes from truth, not volume.
Yoruba and Pidgin must be natural. Emotional control matters more than tears.
Beginners are welcome — commitment matters most.

Auditioner FAQ & Production Policies

Do I need experience to audition?

Experience helps, but it’s not required. We prioritize presence, range, professionalism, and your ability to take direction.

Can I audition for more than one role?

Yes. In your slate (or email), list your top 1–3 role preferences.

What should my self-tape include?

A short slate + your audition read. Keep audio clear, framing steady, and lighting bright. Provide a link if the file is large.

Where is ADMFA Private Studio?

If you want the address public, place it on this page. If you prefer privacy, share the address after RSVP/confirmation.

How is compensation handled for this production?

This production operates on a ticket-sales–based compensation model.
Cast members will be compensated through a structured percentage of net ticket sales,
distributed after production expenses are reconciled.

This model allows performers to share directly in the success of the show while keeping
the production accessible and community-driven. Specific payout structures will be
explained clearly upon casting and outlined in your cast agreement.

Is this a paid production?

Yes — compensation is tied to performance revenue rather than hourly rehearsal pay.
This is standard for independent and emerging stage productions.
No cast member is required to pay to participate.

Who owns the rights to the show and recorded content?

ADMFA Audio LLC retains all rights to record, distribute, sell, license,
and promote the production, including but not limited to:

  • Live stage recordings
  • Rehearsal footage
  • Promotional clips
  • Social media excerpts
  • Future digital or streaming releases

By auditioning and accepting a role, performers grant permission for their likeness,
voice, and performance to be used for these purposes without additional approval.

Can my performance be used on YouTube or social media?

Yes. Portions of the production may be clipped, edited, and shared on platforms such as:
YouTube, Instagram, TikTok, Facebook, websites, promotional ads, and press materials.

These clips may be monetized or distributed at the discretion of ADMFA Audio LLC.
This is standard practice for marketing and archival purposes.

What about live streaming and Harris County rules?

All live recordings and streams will comply with Harris County and Texas regulations
regarding live events, public performances, and digital distribution.

Performers are not responsible for permitting, licensing, or compliance matters.
ADMFA Audio LLC handles all venue, production, and streaming compliance.

Will I be credited for my role?

Yes. All cast members will receive appropriate credit in:

  • Programs
  • Promotional materials (when applicable)
  • Online listings and digital releases
What is expected of me if cast?

Cast members are expected to:

  • Attend rehearsals consistently
  • Arrive prepared and on time
  • Respect the director, cast, crew, and venue
  • Maintain professional conduct on and off stage
Can I use footage for my reel?

Requests to use clips for personal reels may be considered after release.
Approval is at the discretion of ADMFA Audio LLC and will be handled case by case.

Questions? Email: plotonitllc@gmail.com
Main play page:

When Faith Meets Vision

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